Thomas Hirschhorn’s work parallels elements of a project I worked on and developed for a number of years called the Tollbooth Gallery. The Tollbooth was a reclaimed hunk of concrete in a public space that housed a twenty-four hour outdoor video galley and paper-based installations (video, audio, and paper) in an urban setting. The exhibitions changed every six weeks and featured work from artists from around the world. One of the most exciting aspects of the project was the precariousness of the materials and equipment that were left in public spaces even in the most extreme weather. The project was always in danger of vandalism, theft, or weather failure, but that became part of the work and how it was received. In order to succeed the project had to create a relationship where it trusted in the casual passerby and chance encounters. Like the Tollbooth, Hirschhorn’s work often consists of hewn together spaces in public locations that house an idea or event.