So I’ve been caught up with submitting work and sending out a couple reviews—and that’s good, but it’s been a little too busy. Here are a couple of things I’ve been meaning to check out. (Feel free to send them my way if you’d like to help a poor post MFA student—with no money—out!) Oh and does anyone have recommendations for anything else? I’ve been so immersed in my thesis manuscript that it’s kind of a luxury to look at anything else now that I am done.
“What is conceptual writing, how does it differ from Conceptual Art, what are some of the dominant forms of conceptualism, where does an impure or hybrid conceptualism fit in, what about the baroque, what about the prosody of procedure, what are the links between appropriation and conceptual writing, how does conceptual writing rely on a new way of reading, a “thinkership” that can shift the focus away from the text and onto the concept, what is the relationship between conceptual writing and technology or information culture, and why has this tendency taken hold in the poetry community now?”
Whew—-that’s a long sentence. Has anyone had a chance to look at it yet?
I’ve also wanted to read Dave Hickey’s revised and expanded The Invisible Dragon… The old version was on my reading list for a while, but I never got around to it. But now that it’s re-issued… I read Air Guitar a while back and enjoy Hickey’s writing style.
From University of Chicago Press:
The Invisible Dragon made a lot of noise for a little book When it was originally published in 1993 it was championed by artists for its forceful call for a reconsideration of beauty—and savaged by more theoretically oriented critics who dismissed the very concept of beauty as naive, igniting a debate that has shown no sign of flagging.